“Design is not just what it looks like and feels like. Design is how it works. ”
“Design is not just what it looks like and feels like. Design is how it works. ”
Have you seen the film ‘The Pursuit of Happyness‘?
If you haven’t, I highly recommend it. Will Smith stars as struggling salesman, who’s trying to make ends meet for his wife and young son.
Luck doesn’t go his way, and he falls into a downward spiral – which hits a climax when he winds up homeless.
Things get so bad that he ends up sleeping in a public toilet cubicle one night. His young son lying beside him.
But, rather than feel sorry for himself (I wouldn’t blame him if he was), he looks for opportunity and clinches an internship as a broker in the city. It’s not a paid gig sadly, and it’s so competitive that only one person will end up with a full-time role.
What I like about Will Smith’s character in the film is that he continually visualises success. He knows that, given the right moment and chance, he can do it. It’s his belief that wins the audience over, and ultimately wins his employers over.
And I ask you, as an aspiring creative…how often do you visualise the success you want?
Whether you want to be the next Stephen King, the next Picasso or just a cool designer who has an office that overlooks a city skyline.
Whatever you’re doing right now, take a moment to visualise the success you want. I know it sounds cheesy, but if you don’t know what your destination looks like…how can you get there? How can you know that you’re making progress if your path is murky and blurred?
I once heard about a guy who visualises success so much that when he’s driving he pretends that he’s being interviewed about his novels and speaks about them as if he’s talking to an interviewer.
Ahem…I promise you that guy isn’t me…
by Ashley Brown 2017
I’m a fan of Banksy’s works, and it makes me sad to see how the media are hellbent on finding out his identity.
Some mysteries just don’t need to be solved. As long as a fellow creative isn’t doing evil by being anonymous, I think we should let them have their secrecy. In fact, in my opinion, he’s doing a lot of good as he is.
Have I ever wondered who he is?
Yeah, sure I have.
But, that doesn’t mean I have to know. I think sometimes, as a society, we’re so keen on getting what we want we don’t stop to think ‘do I actually need to do this?’.
Let’s save our newspaper pages for reporting the real hard-hitting facts about the things we do need to know. And by that I do mean facts, no fake news.
I was listening to a podcast today and amongst all the great content included, there was one snippet of a story that stuck with me.
It was about a pre-teen boy who was, for whatever reason, wearing a dress. Someone else in his class stopped him and said:
“You can’t wear that. You’re not a princess”.
“I can. I’m a King in a dress”.
If that’s not a perfect example of using creativity to change someone’s perspective, I don’t know what else is.
And, as writers, many of us have messages to deliver, as well as stories. Whether they be social, ethical or everything in-between.
Your creativity is a great tool, and it empowers you – giving you the ability to present things in a way that others can understand and empathise with. Use it wisely.
If you’re interested the podcast was ‘Guilty Feminist’ – which I highly recommend.
“I’ve never had a movie that got great reviews. I’ve had movies that got different levels of good and bad reviews, but you can more or less count on plenty of bad reviews.”
The internet. It seems like such an all-powerful thing doesn’t it? A 24/7 access to everything around us, available at the touch of a fingertip.
A way to socialise, to work, to sell and to find information. A digital land of happiness, cat memes and dark, evil corners.
When I think of the internet, the first image that comes to mind is a giant cyber brain. That’s constantly pulsating and growing. Growing bigger and bigger by the day.
It’s a complicated thing. Few of us really understand it, and even though we take it as part of our day-to-day it’s still an awe-inspiring thing.
Let me take you now to the Georgian capital city of Tbilisi. A place of cobblestones and art Noveau buildings, among many other things.
One day, not so long ago, a 75 year old woman was out digging for scrap metal. She was just on the outskirts of the city and had been working really hard that day – the more scrap she got, the more money she’d head home with.
As she was digging her spade accidentally ripped through a cable. Naturally this worried her, but after a quick look around all seemed okay and there was no one around to notice. So she continued her day’s work, set the memory of the cable aside and as dusk fell across the city she headed home.
Meanwhile, web-users in neighbouring Armenia were having a tough day. No matter how hard they tried they just couldn’t get online. It took five hours for them to realise that something had gone wrong in Georgia, the country that provided 95% of their internet.
You’ve probably guessed what happened.
The cable that the old lady had damaged was a fibre-optic one that provided Armenia with their internet.
Sure they fixed it soon enough, once they’d realised.
But, it just goes to show that even though the cyber world around us is so advanced and complex, it isn’t invincible.
Something as simple as the spade can conquer the internet.
It’s the same with life. As intense and complicated as it may well be, we need to make time for the simple things and look out for the simple problems – as they could very soon evolve into much bigger problems.
IT is the story of a bunch of long-lost friends who go back to their home town to face something that has scared them since they were children.
“He thrusts his fists against the posts and still insists he sees the ghosts.”
Revisiting the past can throw up a lot of memories, and while ‘IT’ is a horror story, it covers a whole lot more. I could relate because, as an adult, ‘IT’ also took me back to when I was younger. When I was about thirteen I happened to pick up a battered copy of King’s ‘The Dark Half’ at a secondhand sale. Up until that point, as a reader, I’d always read ‘adult’ books but mostly westerns, spy stories and adventures.
But discovering Stephen King’s work opened up my eyes to a whole different genre. From that point on, and even now, I couldn’t help but be interested in the macabre. So, as a teenager, I devoured a vast majority of King’s backlog. The Stand, Salems Lot, Firestarter and even the lesser-known Insomnia – flashed before my eyes and disappeared into my mind.
As I got older, however, things changed and I moved away from King’s work. I got to that age where socialising becomes more important and, save for the odd novel, my reading fell to the side. I’m pleased to say that as I hit my early twenties my passion for books fully came back, but I never returned to King.
IT was one of his works that I hadn’t read and after seeing a teaser for the upcoming movie I mentioned it, and so my girlfriend kindly got me a beautiful copy. Thus I committed to 1000+ pages of King once more. Travelling back in time to revisit an author, and an imagination, that had gripped me so tightly in its thrall as a teenager.
The book unfolds like a weird and very lucid nightmare. An endless stream of interupted thoughts and unusual occurances whirl around the characters’ heads. All the while followed by a niggling sense of inevitability as they’re brought towards their fate.
“Swear to me swear to me that if it isn’t dead you’ll all come back.”
A series of child murders have been happening in a small American city and a bunch of 11 year old outcasts who call themselves ‘the losers’ have their suspicions that the killer isn’t mortal. Of course none of the adults will believe them…or even raise a hand to help them. The theme of isolation becomes more and more relevant as things go on – which is great writing, because isolation is often the root of fear – imagine how you’d feel if you were seeing things that no one else could see? As if life wasn’t tough enough they’re also constantly threatened by the local bully, who ends up becoming one of the most fucked-up ‘human’ characters that King has ever created.
As children ‘the losers’ are able to defeat the weird entity that is ‘IT’ and, soon afterwards, all but one of them moves well away from the area. The local bully’s friends are killed and he ends up being sent to the local asylum. By the way, if you’re interested as to why there are so many pictures of clowns whenever you see anything about IT, this is because the entity is able to manifest as your biggest fear…which, for children, can often be a clown.
“Oh Christ, he groaned to himself, if this is the stuff adults have to think about I never want to grow up”
Fast forward some twenty-five years and ‘the losers’, all now successful in their own ways, are called back to the town. Murders are taking place again and they feel that they have unfinished business.
I warn you now, this isn’t one for the faint-hearted. Sure, that sounds obvious as it’s a horror novel, but there are more themes here than just a nasty looking clown. Everything from abusive parenting to domestic abuse is covered in some depth – and there are a couple of scenes where the minors have sex, which I didn’t expect and didn’t feel were at all necessary to the narrative.
For me, overall, this was a triumphant return to the world of King. It thrilled me, it had me rooting for the characters and it took me back to what it was like to be a child. What it was like to believe that there are weird things in the woods, and what it was like to run from bullies and to think that some kid giving you shit in school was the most important thing ever.
IT, itself, is a fascinating villain and not one that I ever hope to run into in my day-to-day humdrum. What I liked as well is that, as scary as It was, It still felt beatable – which gave a sense of hope that is often never found in these books. An unbeatable bad guy is a cliche we could do with taking a break from.
“Kill you all!” The clown was laughing and screaming. “Try to stop me and I’ll kill you all! Drive you crazy and then kill you all! You can’t stop me!”
When this was first released, most reviewers were on King’s case about the length. I get that, and as an independent reviewer, it troubled me too – the book comes to around 1,300 pages. I’m not so sure that it needed them all. There were pages and pages of exposition, and reflections on all sorts of topics – everything from checking out a book at the library to how larger people are often light on their feet. A few times I had to fight my inner-editor to make sure that I didn’t allow myself to skim-read certain paragraphs and pages.
I understand that characterisation is important, particularly for the seven or eight main characters. But so many pages were spent delving into the backgrounds of some really unimportant people. For example I read all about one of the character’s school life – his IQ, his parents, how he killed his younger brother (not relevant to the story) only to see him get killed by IT some two or three pages later. All well-written, sure – but as we know it doesn’t feel like there are enough hours in the day as it is – so when we pick up a book we want it to be at least a little concise and nuanced at times. Occasionally brevity can often be the key to great writing (he says after writing a huge review).
“once you get into cosmological shit like this, you got to throw away the instruction manual”
All in all, you should read ‘It’ if you like the genre or if you want something different from your Gillian Flynns and Steig Larssons. It’s out there. It’s a raving, lucid nightmare of childhood fears, adult anxieties and some hairy fucking moments.
4/5 – if it weren’t for the extra 300/400 pages and some of the strange sexual scenes it would have hit the 5. It has definitely made me want to go back and search out some of the King stories that I never got round to reading back in my heyday…